Here is another trick I learned...When you're rehearsing, record the band..Even if its a shit recording, you can hear who isn't in time..Many times I would listen to a band practice recording and say to myself.."Damn,, Your rhythm part isn't in sync with the drummer or bass etc"..especially when playing funky rhythms. What you hear in your head sometimes isn't what your playing.
Bingo. With an iPhone or GoPro, it's easy.
Especially for drummers. For most drummers, when you playback, you'll notice:
- Their meter sucks and is all over the map - never consistent
- 9/10 they are too loud. For most venues, this matters. In most bar settings, the drummer is always way too goddamn loud and often overuses his China cymbal.
- They overplay. Accents or flourishes can be exciting. Hearing Gavin Harrison do an incredible floor tom/feet triplet in a Porcupine Tree is fantastic. Hearing Mark Brezecki from Big Country do some amazing hi hat 32nds is great. Hearing Manu Katche do some very cool splash cymbal accents with Peter Gabriel is great. Hearing every drummer do that 400x in every song in every genre is exhausting.
Playing simple straight forward groove ala Gadd or Steve Jordan or Keltner is the shit. Hell, listen to one of the most played pop/rock songs of the 1990s - One Headlight by The Wallflowers. The incredible Matt Chamberlain (New Bohemians, Pearl Jam) plays a beautiful groove on that song and never plays a single fell and never once hits a crash cymbal. THAT is not just being a great drummer, that is being a great MUSICIAN!