Oh I agree, but I read an article that I'll have to find that talked about how writing a show for commercials was much different than one without. It may have been focused on sitcoms with laugh tracks but I'll see if I can find it. Talked about how framing the show to fit certain pieces in together between breaks because more important because folks would have short attention spans and such, and also how they would have to alter scripts for product placement. Meaning like, instead of having a scene in the kitchen, they'd have to do it in the basement so that they could get the snuggle in the shot. This also changed the dialog, a lot of times on the fly and impacted the conversation because instead of having a good line about a kitchen knife, you're now stuck with the writer on set making up a line about the lint trap. That sort of thing. I'm not applying this directly to SOA, but they are saying that this is why tv is becoming increasingly hard to write for.